By Patty Huston-Holm
Saturday night at one venue in central Kampala, Uganda, found a tuba in a wheelbarrow, young women moving with pots on their heads, a comedy skit on how a man should treat a woman and brass instrumentalists playing songs while dancing.
Brass? Yes. In Uganda? Yes.
Twenty-nine youth with seven types of brass—horn, cornet, baritone, trombone, tuba and the less familiar euphonium and flugelhorn—took center stage in an instrumental, dance and vocal performance on Saturday, Oct. 5. The mostly Ugandan performers were the focus of a two-hour gala celebration of 15 years for Brass for Africa.
“When people think of African music, they don’t think of brass,” said Bwambale Bernard Molho. “But maybe they should.”
Molho, a Uganda Christian University (UCU) School of Education graduate, is the Partner Relations Officer for the British-based, brass-focused NGO and Executive Assistant to Lizzie Burrowes, the non-profit director of music education. Molho, also a former UCU graduate assistant and honours college coordinator, explained how it started with the idea of one British man, Jim Trott.
“He’s a pilot and passionate about music,” Molho said. “He happened to visit the slums in Kampala during one layover and saw the poor condition of some musical instruments. At the same time, his son’s school in London was discarding brass that was in better shape than what children here had.”
Trott, who plays the cornet and piano, transported those discarded instruments to Uganda as a start. From that small beginning in 2009, Brass for Africa has blossomed to 2,000 mostly age 9-24 brass students in Uganda, Rwanda and Liberia. From that pool of music students, around 30 are selected every year to join the inspirational All-Star Band that was chosen for the gala for the second consecutive year. Before a dedication song, Burrowes tearfully talked about two band members who died—one in 2022 and another in 2023.
In addition to Trott, roughly 50 current and potential Brass for Africa supporters from Uganda, England, the United States, the Netherlands and Switzerland listened on Oct. 5 to the band’s 12 selections, heard testimonies about the band’s positive impact on the youthful performers and were reminded of how the NGO started and how it operates. The charity has partnered with over 20 organizations, including the United Nations High Commissioner for Refugees, Plan International, Mercury Phoenix Trust, Oxfam and The Elton John AIDS Foundation to deliver programs in Sub-Saharan Africa.
Harps and drums have African origins. Brass is traced to the early 19th century in Britain. From “Eye of the Tiger” to the Beatles’ “Hey Jude” and “Baba Yetu,” the sound and feel of music at the gala was a blend of European and African tunes with a spattering of African dance in place of traditional band marching.
“I love music, but I’m not a musician,” Molho, a 2018 UCU Bachelor of Arts alum, said.
He has a guitar, a violin and a small trumpet that he is trying to learn. A hearing impairment—possibly at birth but noticed when he was 13—renders him deaf in his left ear but does not hinder his music enjoyment.
“I’m an artist, mostly visual art,” he said. “Art is about music, dance, writing and more.”
At that, Brass for Africa, like many art-connected programs, is about more than music. In addition to tapping into fulfilling individual music potential, the self-esteem focus areas are gender equality, disability inclusion, workforce readiness and community empowerment.
“Nobody ever said they loved me until Brass for Africa,” one performer told the Oct. 5 audience.
“People discouraged me,” another ensemble member said. “Brass encouraged me.”
While expats may come in to help with instrument teaching, Brass for Africa is 95% African and operated with counselors and mentors for music as well as for skills such as problem solving, teamwork and leadership. In addition to Molho, other UCU alumni engaged with the NGO are Kabuye Ronald, Kasule Daniel and Amanya Annah.
With its origin and largest reach in Uganda, the demand for the non-academic social change program spans to Rwanda, Liberia, South Sudan, South Africa, Botswana, Tanzania and Kenya, among others.
For Molho, the Brass for Africa mission of esteem-building fits with his philosophy and everything else he’s been doing. In addition to his full-time position with Brass, he is a virtual mentor in visual art with a young person in France; he helps review grant applications by changemakers with US-based The Pollination Project; and he has managed a Usanii Village Africa art initiative in Kasese since July 2020. The Kasese project that Molho started involves sewing, carpentry and making art from discarded items.
“We call it eco-artistry,” he said of the art component. “Both Brass and Usanii are about empowerment and transforming marginalised communities.
Due to Molho’s focus with Brass for Africa over the past three years, the Kasese effort, possible because of a Pollination Project grant, may cease at the end of 2024.
Molho points to UCU’s emphasis on Christian faith, leadership and development as playing a large part in his career success.
“What leads you?” he asked rhetorically. “God shows me a source of direction. I put in the effort.”
He credits his father, a pastor, for his skill in speaking six languages. He has been helping with interpretation since age 12.
“Most people don’t think of writing or languages as art, but it is,” Molho said. “How you present yourself is an art. How our brass ensemble students present themselves is art. For most of these youth, this is a platform they wouldn’t otherwise have.”
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