Tag Archives: #EastAfrica

Job loss during COVID-19 opens colorful, creativity door

November 1, 2020COVID-19, Faculty#COVID19, #EastAfrica, #entrepreneurship, #fashiondesign, #Lockdown, #tailoring, #UgandaChristianUniversity, UCU, UCUPartners, UgandaPatty Huston-Holm

Pauline Nyangoma shows off one of the gratitude cards she gives to her customers.

By Maxy Magella Abenaitwe

The late physicist Stephen Hawking once said: “Intelligence is the ability to adapt to change.”

When the Uganda COVID-19 lockdown, including education suspension, started in mid-March 2020, Uganda Christian University (UCU) continued paying its workers full salaries. In two months’ time and with no tuition income, however, the financial strain was elevated. Only a handful of essential workers were kept with salaries reduced by 25%. Sadly, that payment decrease for these few continued to be reduced as UCU adapted to change.

Pauline Nyangoma, a Communication Assistant at UCU who was not among the essential workers kept, was adapting, too. Bankrupt, anxious and wondering how she would eat and pay her bills, it was a surprise 150,000 UGX ($40) in her mobile account that accelerated her adaptation.

“Seeing this money in my account felt like I had been set free from an extremely dark prison,” Nyangoma said of the support from an anonymous donor with the American-based, Uganda Partners organization. “I could finally catch a breath, feel my blood freely flow and my brain finally thinking straight.”

Holding some cash helped Nyangoma realise an answer that had been there all along – making bags and neck accessories. It was a skill she discovered in Senior Six as she took seamstress classes with a local tailor. Mable Katusiime, an elderly street hawker who had products, a work ethic and a smile that belied her age, further inspired Nyangoma when they met in 2018. With craft bags over her shoulder and appearing affluent and educated, Mable told Nyangoma that she preferred this work to other options because it “kept her heart beating.”

Nyangoma bought one of Mable’s bags. She took it home to unstitch and re-stitch it to learn the secrets of quality and style. When Nyangoma wasn’t working in the UCU Communications and Marketing office, she was making bags on borrowed machines. She sold these as a second job for supplemental income until the COVID -19 lockdown forced her to make and sell more.

“I made a precise, clear budget on how I would use this money,” she said of that $40 donation. “Half of it, I used to buy craft making materials and the other for facilitation to and from Kisasi town where I could easily access a sewing machine.”

From Nyangoma’s creativity and skilful hands, varieties of colourful bags evolved and began selling but not without the obstacles typical for a “street hawker” – especially a female one. Taxi drivers shouted harsh words at her; strangers mocked her with loud laughs.

“Aaaaah… why have women of these days adopted a habit of running away from their husbands’ homes?” one man said. Another pointed at her and hooted, “Now she is carrying all her language like a street hawker.”

One barrier became a blessing. As she was forced to wait to board taxis that were more eager for passengers without a load of product as she had, she sold off some items to passers-by and truck drivers. Truck drivers became her best customers and marketing advisers who made referrals for additional sales. Nyangoma learned to throw bags through moving truck windows and pick up their tossed cash blowing in the wind.

First-time customers, appreciative of the beauty and durability of her work, referred more customers. Friends and family bought and made orders. The UCU community embraced and bought her products.

While the lockdown’s high transportation fees necessary for travel to the sewing room eat into her profits, Nyangoma sees a revenue light at the end of the tunnel. Her client growth is promising. Sales are getting her closer to owning a sewing machine. Nyangoma has created a brand name, Pauline’s Craft Workroom. With compelling photos of her products and satisfied customers, she uses her social media accounts as her showroom. She also displays her works at restaurants and shops.

Instead of business cards, she has created gratitude cards. To Nyangoma, gratitude – thanking people – is the most rewarding tool. It outgrows all marketing strategies. Her customers return the favour with praise. For example:

Phiona Atuhaire, a satisfied user of Pauline’s craftwork and a regular referral, says that she has continuously bought Nyangoma’s products because of their unique African touch and meticulous effort she puts into the quality. Atuhaire has also observed that Nyangoma is open to customer feedback and has made tremendous changes following advice from her clients.
Conrad Ochola, one of Nyangoma’s recent customers, admits to purchasing a craft bag because of its overall bold outlook. To Ochola, general outlook is second to quality.
Madrine Ayebare, one of Nyangoma’s clients, praised her for being a solution giver. She says: “I no longer get stuck while finding gifts for friends and relatives. When I am going to parties or visit friends, just a simple call to Pauline’s Craft workroom gets me exactly what I need.”

Seeing her products appreciated and functional with no clear indication when she might be recalled to her university position, Nyangoma has a vision of making clothing and teaching others after getting her own her sewing machine, to turn part of where she lives into a workshop and to make African clothing. If she gets recalled to her job at UCU, she will continue the business full-time or part-time.

Someday – maybe as early as 2021 – she may start a tailoring school to pass along her skill.

The writer of this article, Maxy Magella Abenaitwe, is a 2018 graduate of Uganda Christian University with a Bachelor of Arts in Mass Communication. Before her country’s lockdown, she was an intern for the UCU Standard newspaper.

++++

To support Uganda Christian University programs, students, activities and services, go to www.ugandapartners.org and click on the “donate” button, or contact UCU Partners Executive Director, Mark Bartels, at m.t.bartels@ugandapartners.org

Also, follow us on Facebook.

Time to laugh: UCU student-turned-comedian tells you why

September 29, 2020COVID-19, News, UCU Alumni# EhmahNapoleone, #Comedian, #COVID19, #EastAfrica, #EmmanuelOtim, #Laughter, #Lockdown #Uganda, #UgandaChristianUniversity, UCU, UCUPartnersPatty Huston-Holm

Emmanuel Otim poses for a photo after his interview with UCU Partners.

By Maxy Magella Abenaitwe

Most Ugandan children have been told that holding on to sciences – that is, the traditional, formal curriculum – is the only key to success. Little or no value is attached to talents outside that box or personal passions. Those who create their own chances and platforms to ensure talent growth beyond what is customary are few.

Emmanuel Otim, a Uganda Christian University (UCU) bachelor of arts in education graduate, is among those few. Since 2007, he has identified himself as a comedian – a career path sparked by his love for stage performance.

This, then, is how Otim (known as Ehmah Napoleone and preferring to be known as simply “Ehmah”) made it unfold. Having lived a childhood with various stage opportunities, he fit himself in the already-established university entertainment sessions. Under the brand name, The Filosofaz, he and a bunch of friends broke the mold of the University praise and worship system of entertainment and introduced comedy.

Otim with colleagues after a presentation. https://youtu.be/FuRnSmosnKw — Otim with colleagues after a presentation.
https://youtu.be/FuRnSmosnKw

The comedy group grew so popular that students referred to the Saturday evening walks to watch Ehmah and his partner, Catro Johnson, as, “The great trek to Nkoyoyo hall.” The paved route from the Dining hall to Nkoyoyo hall became known informally as Prince Ehmah Road.

For someone who had grown up with no access to television and the Internet, his first comic sessions were presentations solely intended to cheer up students and satisfy his own creative talents. Little did he know this would become a career that would pay his bills.

Several times, friends tapped him saying, “Man! You’re going to be big, you will be a millionaire.” Their encouraging words started to sink in. He began to realize there could be something special about what he had been doing.

Ehmah still remembers Peace Lona, a girl he had met in his S5 class at Makerere high school in 2004. She told him about the successes of Kato Lubwama (comedian turned politician) and Philip Luswata (actor/director best known for “Queen of Katwe”). To further educate himself, Ehmah started attending comedy shows, including those of East African comedians like Philip Luswata and Ebonies.

“Going for these shows shaped my idea that I could actually earn from this,” he reckoned.

In 2009, DSTV held competitions called “Stand Up, Uganda.” He didn’t compete but found family in a union formed by the top 10 winners of the contest. A Ugandan named Omara, who took second place in the competition, called on Ehmah to assist in forming the Crackers’ show that later premiered on National Television (NTV) as Mic Check. Omara and Ehmah had met at UCU.

To Ehmah, his “fully rewarding” world of comedy is the job he “never sought.” It simply evolved.

As of September 2020, Ehmah’s highly ranked comic gigs have taken him to Zambia, Namibia, Kenya, Rwanda and South Sudan as well as within his native Uganda. In spite of curfew, economic and travel restrictions of the COVID-19 lockdown, Ehmah has maintained his relevance with some earnings through social media fan base management, replacing a desired stage performance schedule.

To access one of the UCU alum’s comedy videos, go to https://www.youtube.com/watch?v=FuRnSmosnKw&feature=youtu.be&fbclid=IwAR1qdbgjlnxaXzIfq8nwq9yKa9ukNsmTo5QXs8ZoWW6ZUYWR2659YUBmu9o

In August 2020, Ehmah Napoleone’s You Tube channel and social media platforms were trending with more than 2,000 views of “Afande Piano,” an imaginary police spokesperson of the Wakanda Republic. Afande Piano is an exaggerated sarcastic character who mimics the Ugandan police spokesperson who at many occasions has been cited defending police and government for their deeds. In addition to bringing smiles to people’s faces, Ehmah’s aim was to show the public how hard it is to be a spokesperson in a country with a political environment like that of Uganda.

While the Afande Piano character is partially political, Ehmah usually refrains from politics as well as tribal, vulgar and religious content that may negatively impact on society.

At that, for the sake of solidarity, advocacy for the rights of Comedians, growth of the comedian industry and as the spokesperson of The Uganda Comedian Association (TUCA), Ehmah has taken part in political performances with comedians like the Bizonto group that were once arrested over allegations of promoting sectarianism through their comic church-like hymns. For some performers, like Allan (alias Optional Allan) and Joshua Okello (alias Okello Okello), he has both learned and mentored.

Kibuka describes the five-year relationship as a kind, generous, helpful and friendly mentorship. He applauds Ehmah for paving for him the way from the ghetto setting to the urban stage.

“I will never forget the day he recommended me for my first Jazz comedy Uganda performance,” Kibuka recalls. “It was unbelievable, I mingled with big names in the Ugandan comedy industry. That day, I realized my potential.”

Okello, Ehmah’s other mentee credits him for being professional, principled, honest and flexible.

“Ehmah keeps time and will always show up if you have a booking, appointment or performance with him,” Okello said. “This is a rare trait among Ugandan entertainers.”

Okello recalls of a time he invited his mentor to perform on a show he had organized in Soroti. That day it rained, and the show flopped. As the dismayed organiser, worried about how to pay, Ehmah agreed to forego his payment.

Ehmah credits UCU for his humility as this was reinforced there for students and staff. He points his success to the 2006-2009 UCU community that embraced him and offered him his first platform as an amateur comedian.

“By the time I left UCU, I was already a brand,” he noted.

Ehmah is saddened by what he perceives as a decline in creative stage talent emphasis and opportunities at UCU. His cry is for the university to embrace drama and entertainment because it holds a great future in Uganda.

His passion for comedy has helped him overlook some challenges like the negative perception some people have towards entertainers. Most parents dislike comedians around their children because they think artists are not good role models.

“Sometimes it’s hard for people to accept you,” Ehmah said. “Africans have not yet embraced comedy as a profession.”

++++

UCU Shepherds gain notoriety in rugby world

March 23, 2020Sports, Students, UCU Alumni#EastAfrica, #MarchMadness, #rugby, #Sevens, #UgandaChristianUniversity, #UgandaRugbyCranes, sports, UgandaPartnersPatty Huston-Holm

(NOTE: Across the United States, March Madness refers to National Collegiate Athletic Association basketball competitions – a month when university rivalries are at their peak. While March Madness was cancelled due to the Coronavirus in 2020, these Uganda Christian University sports stories are offered in honor of what was to be. The stories are a collaborative of The Standard and UCU Partners.)

By Maxy Abenaitwe

In the early years of the past decade, the Uganda Christian University (UCU) 7s Shepherds were the untouchables of East African rugby.

As a result, the Uganda Rugby Cranes and other national clubs like the Black Pirates continuously fished from the Shepherds’ pond. It is no wonder that half of the Uganda Rugby Cranes are former Shepherds.

Rugby, which originated in England in the first half of the 19^th century, is a sport involving two teams of 15 players each. They carry, pass and kick a ball into an end zone with winning determined by the greatest number of points. Often, the sport is known as “rugby sevens” for seven players per team engaged in seven-minute halves. The most basic law of the game is that no player is allowed to throw the ball forward to a teammate. In rugby, the ball is moved with sideways or backwards tosses or a player kicking and running with the ball.

Uganda had a deep history of men’s rugby participation ahead of the country’s first official rugby match in 1958. In 1955, the Uganda Rugby Football Union was formed. Much as there were no clubs at the time, games were frequently played between representatives from Kenya and Tanzania (or Tanganyika as it was called at the time) teams, but matches were mostly against the Royal Navy as well as some British and South African Universities. In 2000, UCU took on the rugby mantle and over time developed a great team of influential players.

Shepherds (in red jerseys) representing Uganda at international level

Over the years, UCU players have been recognized for their talent. Philip Wakorach has been the most desired player, whose talent is sought across borders, namely in Kenya and France. Equally, Ivan Magomu has been the best fly half (receiver of a short pass). Pius Ogena was recently awarded Male Rugby Player of Year 2019 under the Uganda Sports Press Association Awards, and Desire Ayera was recently ranked 37th player of Uganda’s 2019 top athletes.

Considering their current maiden performance, the current Shepherds are leaving lasting marks. The team won gold at the 2019 University Side Step 7s events. The Shepherds went ahead to win during the 18th AUUS 2019 games at Kisubi University. And immediately after their remarkable performance, two players were called at the National Rugby Cranes team.

Ivan Kabagambe, a former Shepherds’ player, says the great performance is largely inspired by the success of the Shepherds alumni.

“The alumni have also kept in touch to ensure talent keeps growing,” he said. “This has been done majorly through friendly matches between the Shepherds and their alumni.”

Despite a few challenges, Kabagambe thinks there is no excuse for not making it at UCU. This signifies that with more support from the university, the team could do wonders since the passion and talent is there. If only the Shepherds could participate in more tournaments, have more funding and have enough designated rugby training space, more medals would be brought home.

Why the great performance
Approximately 90% of the Shepherds attribute their success in the larger rugby world to UCU’s favorable environment that best suits sports development. They cite the hilly landscape, availability of drinking water all over the compound, access to good food, and use of gym facilities as well as university administrative support and medical attention.

The good medical attention, specifically the physiotherapy, helps the players to quickly get back on their feet and continue with their struggle.

Additionally, UCU sportsmen and women have a reputation of being the best people to work with. This is because of their remarkably good discipline. The factor of character also has contributed to the quick growth of the Shepherds.

The future of rugby
Close to 50% of the rugby clubs, the national team inclusive, have aging players. This means university students are being targeted and have professional opportunities.

+++

Ugandan football (ah, soccer) continues to soar for girls

March 17, 2020Sports, Students#EastAfrica, #football, #LadyCardinals, #MarchMadness, #soccer, #UgandaChristianUniversity, sports, UgandaPartnersPatty Huston-Holm

Akao (in yellow, center) poses with her teammates (Photo by Andrew Bugembe)

(NOTE: Across the United States, March Madness refers to National Collegiate Athletic Association basketball competitions in a month when university rivalries are at their peak. In honor of the “madness” of watching American basketball in March 2020 and in collaboration with the Uganda Christian University student newspaper, The Standard, UCU Partners is featuring stories on this month on some of the sports played at UCU. This week, the focus is on soccer.)

By Eva Kyomugisha

One of the greatest gifts God gave Africa is football. It is very common to find a group of people gathered at a field or around a television in a pub watching a football match, each with his or her own comments as to how the game should be played.

Ugandan football, which Americans would call “soccer,” came to the country with British introduction in 1897. Like USA soccer, the objective is to score goals without touching the ball with the hands. The Uganda Football Association, now called the Federation of Uganda Football Associations (FUFA), started in 1925 with a league inaugurated in 1962. The game originally for men only has crossed the gender barrier.

Women’s football in Uganda started in the early 1990s but initially was only played for fun and not professionally. According to the FUFA website, the first time qualification was attempted for the African Cup for women was in 1998 when Uganda hosted Egypt at Nakivubo stadium.

Currently, women’s football in Uganda has gained traction with approximately 50 teams participating in a number of leagues in the country.

Ruth Akao plays a ball during practice (Photo by Andrew Bugembe)

As a little girl, Ruth Akao grew up around boys who loved to play Ugandan football. This exposure ignited the 21-year-old Uganda Christian University (UCU) student’s passion for the sport as she often participated in some of the groups’ games.

“It made me happy when I played,” she said.

She continued playing the sport while at school. She has been engaged in professional leagues for over 10 years and isn’t done yet. While at Hope High School along Masaka Road (between Mukono and Kampala), she was scouted to play for the UCU Lady Cardinals team.

“I play position 11 which is the left-wing,” Akao said. “My job is to get the ball from the midfield and cross it to the box for scoring. Sometimes, we do the scoring ourselves.”

According to Akao, a major benefit from the sport is the fact that she receives half tuition to pursue her studies in Human Rights, Peace and Humanitarian Intervention in the Faculty of Social Sciences. She also states that she has been able to meet new people and make the necessary connections that she may need at a later time in her career.

“Ten years from now, I would like to start my own sports academy for girls,” she said.

Akao was part of the UCU Cardinals’ team that captured many honors in 2019, including a win of the Women’s Elite League. Despite Akao’s success in the sport, not many people in her life support her passion for the male-dominated sport.

“There is a time I went to the village and the people there were not happy with the fact that I am a football player,” she explains.

Akao added that most people find girls’ football to be too slow and boring for them to watch. She attributed this to the limited publicity from television and radio stations, which do not air the girls’ games as much as the boys’ games.

“It is only one radio station, FUFA, which sometimes plays our games,” she said.

Akao has also personally had her own challenges the sport. She explains that the volume of games means that she often has to miss some of her classes to participate in them.

“I have resorted to studying in the night in order to keep up with my studies,” she said.

For Akao, she advises the ladies who want to join the male-dominated sport to get out of their comfort zones and do what they love to do irrespective of what people tell them to do.

“Do not give up, and keep going,” she said.

+++