Tag Archives: Music

Some students from the UCU School of Journalism, Media and Communication lead a song during a recent main campus community worship.

Music cements focus on God at UCU

Faculty, News, Students, UCU Alumni, , , ,


Some students from the UCU School of Journalism, Media and Communication lead a song during a recent main campus community worship.
Some students from the UCU School of Journalism, Media and Communication lead a song during a recent main campus community worship.

By Christine Mirembe
From the majestic sounds of the Umoja choir to the vibrant rhythms of the African beats, streams of melodies flow from the Mukono Nkoyoyo Hall, a symphony of faith and talent that engulfs the ambiance at Uganda Christian University (UCU). 

Music is the universal language that bridges cultural and linguistic divides, a powerful force that holds the UCU community in a shared experience of worship, comfort and joy.

Under the leadership of Mr. Omiel Nathan, the overall Music Director at UCU since 2009, the Mustard Seed choir, the Chapel choir or the Umoja choir unite every Tuesday and Thursday at midday (12 Noon to 1 p.m. East Africa Time) to lead the UCU community in worship and prayer for an hour, aside from the Sunday worship services.

“There is a lot of diversity that is shown in the uniqueness of song choices, from the songs in regular church worship to church hymns that define the Anglican communion,” Mr. Nathan said. “We are serving God with the uniqueness that every person brings from wherever they come.”

Audience during community worship music in Nkoyoyo
Audience during community worship music in Nkoyoyo

The director noted that the music groups are non-denominational but that members are expected to adhere to Anglican ministry as the Church of Uganda has oversight for UCU. 

The university-led groups also lead the larger UCU community in worship and prayer in two services on Sunday morning. Occasionally, groups like the Uganda Mother’s Union are invited on the stage to lead songs.

The Umoja choir, whose name originates from the Swahili word “umoja” meaning “one,” is a vibrant combination of the Chapel and the Mustard Seed choirs. The Mustard Seed choir gets its name from the biblical Mark 4:31 reference to the seed as “the smallest of all seeds of earth,” but “when planted, it grows and becomes the largest of all garden plants.” When the chapel and seed choirs come together, often during special functions, they form a united voice, aptly named Umoja choir, blending their hearts and voices as one.

The choirs’ repertoire is a global musical journey, featuring songs from every corner of the world. The type and content of music used during prayer gatherings is usually aligned to themes of the respective services. In some cases, the UCU Chaplaincy is engaged with selections. Most songs are in English, but sometimes Luganda and other mother tongue translations are engaged with words on screens to help the congregation join in. 

A recent service featured “Jesus paid it all” and “Forever,” the latter of which reminded church-goers that God’s “love endures forever.” 

The choirs practice at least once a week with instrumentalists (drums, keyboard, guitar). The practice includes music, fellowship and prayer.

“Music is generally loved by everyone,” said Treasure Jemima, a music director for the 27-year-old Mustard Seed choir. “You find that some people come to church for only praise and worship, so music is what draws them to church.” 

Aside from a commitment to practice and dedication to serve God through songs, there are no requirements to join a choir at UCU.

In addition to directors, each choir has a chairperson informally called “Papa” and a vice chairperson, casually called “Mama” or vice versa depending on the gender of the person in the roles. The chairpersons are in charge of uniforms or designating colors for members to wear and focused on instrumental accompaniment. 

While vocalists may practice only once a week, instrumentalists could rehearse more. At that, some feel it’s not enough. 

Joel Namonyo, a bass guitarist and a UCU student in the Faculty of Engineering, Design and Technology, feels his rehearsal isn’t enough, but he is nevertheless committed to his role.

“I think music is an important aspect that helps bring an environment of praise and worship,” he said. “It is a form of ministry.”

Kalule George, a student in UCU’s School of Law, says gathering as a community under the umbrella of music is effective for keeping up spiritual nourishment, as well as being updated about university activities as most of them are announced during services. 

Music, which has been part of UCU almost from its inception in 1997, transcends mere co-curricular activities. It is the needle that stitches the UCU community under a blanket of unity and the universal language that resonates with students, faculty members and staff, creating a shared experience beyond academics.

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Uganda Christian University has many stories like this one.  To support  programs, students, activities and services, go to  www.ugandapartners.org  and click on the “donate” button, or contact UCU Partners Executive Director, Mark Bartels, at  m.t.bartels@ugandapartners.org.

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Bwambale Bernard Molho, UCU alum, at left, with some members of the All-Star Band at the October gala concert marking 15 years for the Brass for Africa NGO

Organization elevates African youth through brass music

UCU Alumni, UCU School of Education, , , ,


Some members of the All-Star Band at the October gala concert marking 15 years for the Brass for Africa NGO
Some members of the All-Star Band at the October gala concert marking 15 years for the Brass for Africa NGO

By Patty Huston-Holm
Saturday night at one venue in central Kampala, Uganda, found a tuba in a wheelbarrow, young women moving with pots on their heads, a comedy skit on how a man should treat a woman and brass instrumentalists playing songs while dancing. 

Brass? Yes. In Uganda? Yes.

Twenty-nine youth with seven types of brass—horn, cornet, baritone, trombone, tuba and the less familiar euphonium and flugelhorn—took center stage in an instrumental, dance and vocal performance on Saturday, Oct. 5.  The mostly Ugandan performers were the focus of a two-hour gala celebration of 15 years for Brass for Africa. 

Bwambale Bernard Molho with Jim Trott, Brass for Africa founder
Bwambale Bernard Molho with Jim Trott, Brass for Africa founder

“When people think of African music, they don’t think of brass,” said Bwambale Bernard Molho. “But maybe they should.” 

Molho, a Uganda Christian University (UCU) School of Education graduate, is the Partner Relations Officer for the British-based, brass-focused NGO and Executive Assistant to Lizzie Burrowes, the non-profit director of music education. Molho, also a former UCU graduate assistant and honours college coordinator, explained how it started with the idea of one British man, Jim Trott. 

“He’s a pilot and passionate about music,” Molho said. “He happened to visit the slums in Kampala during one layover and saw the poor condition of some musical instruments.  At the same time, his son’s school in London was discarding brass that was in better shape than what children here had.”

Trott, who plays the cornet and piano, transported those discarded instruments to Uganda as a start.  From that small beginning in 2009, Brass for Africa has blossomed to 2,000 mostly age 9-24 brass students in Uganda, Rwanda and Liberia. From that pool of music students, around 30 are selected every year to join the inspirational All-Star Band that was chosen for the gala for the second consecutive year. Before a dedication song, Burrowes tearfully talked about two band members who died—one in 2022 and another in 2023. 

Bernard, left, with some All-Star Band members performing at the gala
Bernard, left, with some All-Star Band members performing at the gala

In addition to Trott, roughly 50 current and potential Brass for Africa supporters from Uganda, England, the United States, the Netherlands and Switzerland listened on Oct. 5 to the band’s 12 selections, heard testimonies about the band’s positive impact on the youthful performers and were reminded of how the NGO started and how it operates. The charity has partnered with over 20 organizations, including the United Nations High Commissioner for Refugees, Plan International, Mercury Phoenix Trust, Oxfam and The Elton John AIDS Foundation to deliver programs in Sub-Saharan Africa.

Harps and drums have African origins. Brass is traced to the early 19th century in Britain. From “Eye of the Tiger” to the Beatles’ “Hey Jude” and  “Baba Yetu,” the sound and feel of music at the gala was a blend of European and African tunes with a spattering of African dance in place of traditional band marching.  

“I love music, but I’m not a musician,” Molho, a 2018 UCU Bachelor of Arts alum, said. 

He has a guitar, a violin and a small trumpet that he is trying to learn. A hearing impairment—possibly at birth but noticed when he was 13—renders him deaf in his left ear but does not hinder his music enjoyment. 

“I’m an artist, mostly visual art,” he said. “Art is about music, dance, writing and more.”

At that, Brass for Africa, like many art-connected programs, is about more than music. In addition to tapping into fulfilling individual music potential, the self-esteem focus areas are gender equality, disability inclusion, workforce readiness and community empowerment. 

“Nobody ever said they loved me until Brass for Africa,” one performer told the Oct. 5 audience. 

“People discouraged me,” another ensemble member said. “Brass encouraged me.”

While expats may come in to help with instrument teaching, Brass for Africa is 95% African and operated with counselors and mentors for music as well as for skills such as problem solving, teamwork and leadership. In addition to Molho, other UCU alumni engaged with the NGO are Kabuye Ronald, Kasule Daniel and Amanya Annah. 

With its origin and largest reach in Uganda, the demand for the non-academic social change program spans to Rwanda, Liberia, South Sudan, South Africa, Botswana, Tanzania and Kenya, among others. 

For Molho, the Brass for Africa mission of esteem-building fits with his philosophy and everything else he’s been doing. In addition to his full-time position with Brass, he is a virtual mentor in visual art with a young person in France; he helps review grant applications by changemakers with US-based The Pollination Project; and he has managed a Usanii Village Africa art  initiative in Kasese since July 2020. The Kasese project that Molho started involves sewing, carpentry and making art from discarded items. 

“We call it eco-artistry,” he said of the art component. “Both Brass and Usanii are about empowerment and transforming marginalised communities. 

Due to Molho’s focus with Brass for Africa over the past three years, the Kasese effort, possible because of a Pollination Project grant, has occupied less of his time but is still growing. 

Molho points to UCU’s emphasis on Christian faith, leadership and development as playing a large part in his career success.  

“What leads you?” he asked rhetorically. “God shows me a source of direction. I put in the effort.”

He credits his father, a pastor, for his skill in speaking six languages.  He has been helping with interpretation since age 12. 

“Most people don’t think of writing or languages as art, but it is,” Molho said. “How you present yourself is an art.  How our brass ensemble students present themselves is art. For most of these youth, this is a platform they wouldn’t otherwise have.”

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Uganda Christian University has many alumni stories like this one.  To support  programs, students, activities, and services, go to www.ugandapartners.org and click on the “donate” button, or contact UCU Partners Executive Director, Mark Bartels, at m.t.bartels@ugandapartners.org.

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Joseph Lagen in a radio studio

Lagen: Lawyer with a passion for music

News, Students, UCU Alumni, UCU School of Law, , , ,


Joseph Lagen in a radio studio

By Pauline Luba
In Acholi, a local dialect in Uganda, the name Lagen means “the trusted one.” And that is the name that a pastor in Uganda chose for his son 30 years ago. In three decades, there are examples to illustrate that, indeed, Joseph Lagen has earned people’s trust. 

One example slightly more than 10 years ago was when his father entrusted him with the duty of heading the youth music department at Life Line Ministries, his father’s church. Five years later, Lagen’s role was to direct the production of music at the church. And this was only possible because Lagen was introduced to the church at quite a young age, hence influencing his way of life.

Lagen cover art picture for Child's praise.
Lagen cover art picture for Child’s praise.

“I loved being in the music department of my father’s church, but sometimes I did it more as something I had to do,” Lagen said. In 2014, Lagen sung a duet with his twin brother, Joshua Olara, in the church choir album. 

During his childhood, “while others got a lot of toys,” Lagen says for his family, it was “a lot of church and church visits.” He is grateful to his parents for ensuring they had a proper Christian upbringing, in line with Proverbs 22:6 that says: “Train up a child in the way he should go; even when he is old, he will not depart from it.”

True to the scripture, even when Lagen grew older, he did not depart from the foundation that his father gave him. As soon as he joined Uganda Christian University (UCU) to pursue a Bachelor of Laws, Lagen connected other music-loving Christian students and, in 2018, formed the inaugural instrumentalist fellowship that happens at the end of every semester at UCU. He also worked with the choir members on larger projects, such as the Christmas and Easter productions.

Jimmy Siyasa, the acting Communications Officer at UCU, who was among the people at the university at the same time with Lagen, said he (Lagen) was instrumental in creating team spirit and a strong bond among the choir members, especially those who played instruments at UCU. Lagen often hosted the instrumentalists for fellowship.

“I met Lagen in the last quarter of 2018, while in my second year,” Siyasa said. “At that time, I was a worship leader in a campus choir called Mustard Seed. He was like a bolt that drew and held together the broad network of both novice and advanced Christian creatives on the campus, and beyond. He is that guy who won’t miss or waste a chance to introduce you to other creatives.”

Lagen tracklist for Child's Praise.
Lagen tracklist for Child’s Praise.

To further cement the fact that Lagen has not departed from the Christian foundation that his father gave him, in April 2024, he released a Christian Afro-Soul album, Child’s Praise. The album has 12 songs, all of which are intended to tell the gospel through a modern East-African aesthetic. The first song, Near Near Here is based on an experience he had as he visited his village in 2015 — a place he had been made to believe was near, was not actually as near because of the poor transport system. The song blends Lagen’s calm vocals with upbeat references to God.  

“My art is far from pragmatic,” he said. “It lives to create wonder in the hearts of its listeners and to cause them look at God in wonder.” The title Child’s Praise stems from Psalm 8:2: “From the mouths of children and infants You have ordained praise on account of Your adversaries, to silence the enemy and avenger.”

Born in a family of four children — two boys and two girls — Lagen attended Hillside Primary School and Namilyango College, both in central Uganda. It was while at Namilyango that he developed a love for writing.  

“I was enamoured by words and their ability to communicate emotions,” he said. Before and during his undergrad, Lagen worked as a Features writer for the Daily Monitor – Uganda’s largest private daily newspaper. Not too long ago, he was also a freelance contributor for Uganda Partners.

For his bachelor’s award in 2021, Lagen’s law dissertation research area was intellectual property and copyright, particularly in music. Uganda Performing Rights Society, the organization where he carried out the research, immediately offered him a position as legal officer in 2021. It is only recently that he left the position to join an advertising firm as a copywriter.

Lagen is also multi-tasking, working on his second album. What spurs him on is seeing everyday as an opportunity “to show and tell the exceeding beauty of Christ through art.”

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To support Uganda Christian University programs, students, activities and services, go to www.ugandapartners.org and click on the “donate” button, or contact UCU Partners Executive Director, Mark Bartels, at m.t.bartels@ugandapartners.org.

Also, follow us on X (formerly Twitter), Instagram and Facebook

UCU student mixes entrepreneurship with artistry

Students, , , ,


Onyong Yubu Prince, a student in UCU Journalism, Communication and Media Studies

By Patty Huston-Holm

Creativity and resourcefulness have long been part of life for Onyong Yubu Prince. So, for the gospel singer-turned university student, it was only natural that he should jump at the chance to do something new – like writing children’s books.

He is one of more than 300 Uganda Christian University (UCU) students and staff members who were engaged in the UCU Literature Department mother tongue translation project – an initiative designed to enhance literacy and increase excitement for reading and writing among Ugandan children. At the end of 2018, nearly 700 stories had been translated into 26 mostly-Ugandan languages.

Onyong, a student in UCU Journalism, Communication and Media Studies, wrote one of those stories. It was entitled “How to become what I want.” After that, he translated somebody else’s story called “Arrow of God.” Lastly, he wrote a final book entitled “Satan is a lazy man,” which became popular in a short amount of time. Within a few months, he sold more than 200 paperback books for 8,000 Ugandan shillings (around $2.25 American) each.

Onyong, age 24, acknowledged his success is as much about his overall reputation as it is his literary talent.

“I’m famous in northern Uganda,” he stated. “I have been a gospel singer since age 17, writing and performing my own songs.”

His notoriety is connected to his appearance and his talent. He openly discusses his size. He is small in stature and will remain so throughout his life – the result of a birth defect caused, he said, by medicine given his mother before she gave birth. It has hindered relationships with some.

“I am still discriminated against because I look smaller than most people, but it doesn’t bother me,” Onyong said. “God loves me, and He wants me to prove to others that I can achieve through what He has created in me.”

Onyong’s success also is about social media. With Facebook “friends” at a maximum of 5,000 per account, he has three Facebook pages. From there, he makes connections for performances and has made contacts to sell books in English, Lango and Acholi languages to schools and children ages 10 and below.

Onyong is uncertain where his career will take him when he receives his bachelor’s degree this October, but he is hopeful about getting a television anchor job.

His favorite scripture is I Corinthians 1:7, which addresses shaming the powerful. It gives him courage.

“I have accepted Jesus as my personal Savior,” he said. “He always answers my prayers.”

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To learn more about the UCU mother tongue translation project, go to https://www.ugandapartners.org/2018/10/mother-tongue-translation-project-elevates-literacy-for-ugandas-children/.  To support UCU students, programs and facilities, go to www.ugandapartners.org and click on the “donate” button or contact UCU Partners Executive Director, Mark Bartels, at mtbartels@gmail.com.